![]() “I’ve never had ego about what I’m willing to do when it comes to my job title,” she says. She started as a temp for Suits designer Jolie Andreatta but impressed enough that she became a key costume buyer over two seasons. LeRoy, got her foot in the door through Toronto-based labour union IATSE 873, which helped place her in a job. ![]() Build a networkĬanadian designer Avery Plewes, who is responsible for the clothes on Ready or Not and J.T. “It’s so fantastic because you can see the workings of someone else’s design mind, and be involved in… what it takes to actually get a film going: breaking down a script, character meetings, making presentations,” says Bhasin, who previously worked as a production and costume design assistant. He recommends would-be costume designers apply for the BBC trainee scheme to learn how to “dress people, behave on set, research, and deal with actors and designers”. “You don’t have to go to university or have a degree to be able to do this, but you need to learn the craft,” says Holman. The best education, though, takes place on set. “It allows me to speak with actors in a way that talks to process and what they’re trying to do with the characters, rather than just, ‘You’d look great in blue or green’,” he says. Bhasin studied film at New York University’s Tisch School of the Arts. “ to be interested in costume, not in clothing,” says Manhattan- and Mumbai-based Arjun Bhasin, whose credits include the upcoming A Beautiful Day in the Neighborhood and Monsoon Wedding. These programmes offer hands-on and collaborative training experiences, plus paths to networking and internship opportunities.īut many costume designers have found success without specialising. © Craig Blankenhorn/HBO, Alamy Get educatedĬostume design can be formally studied at undergraduate and graduate-level programmes at institutions from the University of Missouri-Kansas City to London’s University of the Arts. However, the secret to success on a set is very much universal. In other words, to be a costume designer, you don’t have to be in LA or New York - or anywhere close. Nollywood pumps out approximately 2,500 films annually, while Bollywood produces between 1,500 to 2,000 films in over 20 languages a year. Such positions typically operate on a freelance basis, with indie films generating about two months of work, while a television series - many of which shoot in Canada - requires a longer commitment. ![]() Ĭostume designers working in Britain can expect hourly rates ranging from about £22 for a lower-budget TV drama to £33 and up for a motion picture. “There’s a whole new generation of really well-trained costume assistants coming up through the ranks because there’s so much work,” says Ray Holman, the veteran costume designer on Fleabag and Doctor Who. (The US motion picture industry, by contrast, did about $43 billion in sales in 2017.) Netflix, Amazon and Apple have all invested heavily in the UK, where TV, film, radio and photography jobs rose by 24 per cent between 20. Vancouver is nicknamed “Hollywood North” for good reason: film production volume in Canada grew by 6 per cent year-on-year to nearly C$9 billion (£5.5 billion) in 2018, with full-time industry jobs increasing by 3.6 per cent to 179,000. But it’s now possible to support a director’s vision and help build characters through costume from farther afield. Finding placement through a union or cold-pitching a senior designer are well-trodden paths.Īspiring costume designers once had to head to New York or Hollywood if they wanted a successful career.Designers should tout their familiarity with local customs and visual references, which can give films a unique touch.The golden age of television has created relatively well-paid costume designer positions away from traditional entertainment centres like Hollywood. ![]()
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